The assignment this week was to draw a character to fit into a show of our choice. Stephen said art directors want to see that you can conform to a show’s style. So this assignment would be good practice.
During the lesson, Stephen showed off the styles of several shows he worked on, as well as some character development concepts he’d done in the past. At one point he pulled up a random picture of a 1920s business guy and drew him in the Kim Possible style. Then he redrew that same guy in the Danny Phantom style. Watching him just flip between the two styles was kind of amazing, plus it served as a great example of how some very small established rules can ripple out to create a cohesive style.
As an animation fan, and a father of two small boys, I’ve seen a lot of cartoons. I ran through several that I thought about trying—Gravity Falls, Rescue Bots, Kung Fu Panda. Before committing to one for the assignment, I decided to try a style out for fun. I went with Fairly Odd Parents, a show that I’ve always thought had a really clear style, and drew this picture of Taako from The Adventure Zone podcast.
That was a fun exercise, but I wanted more of a challenge. While that picture doesn’t fit perfectly in the style of Fairly Odd Parents, it’s pretty close. One more iteration and I’d get it I think. I wanted to take on something a little tougher. Something with rules that were a little harder to define.
So I went with the Mickey Mouse shorts on YouTube. My oldest son and I watch at least one of these a day. I love them. They’re so weird, and charming, and the way they stretch and pull such classic characters in crazy ways is fun to watch. Also, the backgrounds are gorgeous.
Before working on my characters, I did some research. Most episodes have at least one or two random side characters with unique designs, so I pulled screenshots of several of them. Like Stephen did in his lesson, I started tracing over some of them to try and break down the style.
It was hard.
Unlike the straight against curve design of Fairly Odd Parents, there wasn’t an easy baseline theme that all the characters adhered to. And yet there was definitely something, because they all fit.
So I designed three characters: a boxing kangaroo, a landlord bulldog, and a traveling lama.
I was as eager to hear Stephen’s feedback as I was to see him break down the style too. I was not disappointed. Here’s the feedback:
See what he did with that kangaroo? Amazing right? It’s clear he’s been doing this kind of work for a long time. When I drew these, I was focused inward. I drew the general shape of the character and filled it with detail—because from my research, they all had really clear silhouettes, and I wanted to maintain that. But Stephen pushed outward, and his ended up fitting the wacky (a great word for this style) tone even better.
After watching his feedback, I went back and re-watched a few Mickey shorts and could already see how his interpretation of the style would work. I’m definitely going to try to do some more. It’s a good skill to have, and seeing him so easily break a style down and produce something that would fit made me want to polish my skills so I can do that too someday.
That’s it for this week. Our next assignment is to caricature someone, because being good at caricatures can actually be super helpful when designing characters. I’ll have that feedback next week!